The PETRA-E Framework for the education and training of literary translators outlines the competencies of literary translators and the levels at which these competencies can be acquired.The Framework was developed by eight institutions in collaboration with a wide range of European partners, based on the experiences of literary translators and trainers. These institutions founded the PETRA-E Network to extend their collaboration.
Educators can use the Framework to design their curricula. Students and literary translators can use the Framework to identify competencies they can develop.
The Framework is available in 11 different languages. You can select the version you prefer by using the drop-down menu of this section.
On the website of the Centre of Expertise for Literary Translation there’s also an interactive version of the Framework available (in English and Dutch).
The Framework aims to describe the competencies that a literary translator might achieve. It has been developed for teaching and learning use (see introduction text). It aims to map the competencies of a literary translator and is designed to help teachers and institutions to create instruments and programmes to acquire these competencies. For students the framework helps to detect ‘gaps’ in their training and education.
We don’t see the completion of the Framework as the end of the work – it is just a beginning. We have a broader ambition. We want to create a flexible, European (or wider) network of formal and informal literary translation schools offering common (Master’s degree) programmes, student and teacher exchanges, distance learning facilities and widely recognised qualifications and credits. One important aim is to facilitate the validation of non-academic and informal learning within formal education pathways. This is important because the education of literary translation in Europe occurs at a relatively small scale and is widely dispersed. If one word could describe the career of a literary translator, it would be “unpredictable”. There are not many translators who start translating when they are still in school learning a language. Some of them don’t discover their talents and interests until much later. That is when the search for an appropriate course starts. Nowadays, fortunately, there is an increasingly diverse range of options. An analytical model like the Framework cannot do justice to the individual careers of literary translators. However, it may well help to provide an overview, both for translators and programme and course providers.
Everyone knows very talented translators who don’t fit in the box, such as a very talented translator who has hardly any professional skills. This framework can also raise awareness to universities and schools: if you want to prepare people for a translation career you need to help them develop professional skills. A competency based approach is grounded in the belief that analysing different competencies helps in identifying developmental or learning issues. A competence is a constellation of: knowledge, skills and attitudes. The Framework is intended to serve as an analytical instrument. It does not aim to encompass a single, comprehensive “literary translation competency”, but to distinguish a whole range of competencies. “Competence” refers to “the proven ability to apply knowledge and skills”. In this respect, the Framework is open to changes. The Framework can always be refined by adding or skipping descriptors. Competency models have been developed for almost every domain of human practice, from teaching and nursing, through to visual arts schools. These models may be seen as the explicit and precise expression of what intuition might entail. Intuition may be seen as the result of experience. As a consequence a lot of the competencies that are acquired by learning in the early stages of the learning line (LT1 and LT2) will grow into intuitive reflexes in the later stages. No, that would be impossible. The competencies the Framework describes in its current shape amount to all possible competencies we could imagine. No translator has all those competences. They are options. Moreover, a volatile pathway is very typical for a literary translation career. However, we will try to define which competencies define the minimum qualification for a literary translator. In the PETRA-E project we will indicate examples of possible pathways through the learning line, for example there could be pathways towards specialisation in translating drama or in becoming a teacher in literary translation, or pathways starting with a language Master’s or with a linguistic competency acquired by living in a country.
Translators can be in very different levels at the same time, in 5 for one competency, in 2 for another. In our opinion all competencies are options. Which qualification is required highly depends on the context and culture. The PETRA-E partners are trying to find answers to this very important question. How will it be possible to determine which competencies someone has or at which level on the learning line someone is? Descriptors are used to define the competencies for the different levels. These descriptors encompass all of the things a literary translator should know and be able to. The more specific the descriptors, the easier it is to put them into practice. An attempt has been made to keep the number of descriptors to a minimum This has been done to keep assessments practical. We are in the process of defining ‘behavioural indicators’, i.e. observable characteristics that show that someone has acquired a certain competency.
A very important condition is that there is a certain agreement on those descriptors and indicators. For the assessment instruments are needed in the form of valid and reliable tests. It is not possible to assess all the different competencies by assessing a random translation, because the quality of a translation product does not necessarily tell us something about the competencies of a translator. Competency evaluation is person bound, not product bound. It is not the aim of the Framework and it has not been developed to be imposed on translators. However this could be a spin-off, if the framework should be widely accepted and used. Of course it will be necessary to emphasise a prudent use of the Framework as a qualification instrument. Keep in mind that currently publishers and others also implicitly qualify translators on a rather intuitive basis. In our view the Framework offers the opportunity to develop more objective tests to prove the competence of a translator. It is our hope that a competent translator will also be a ‘good’ translator in the traditional sense of the word. It has. At the Misano meeting two of the partners, Utrecht University and Deutscher Ubersetzer Fonds, demonstrated how the Framework applies to their courses and programmes and how it helped them to identify levels and ‘gaps’ in their programmes. Link to examples The question of assessment has not been fully addressed yet. There are also other issues: what is the place of important notions like ‘creativity’. Should they have a place in the model or not? What about non-compulsory competencies such as teaching, didactics, research and the ability to work with digital media? Are they necessary to be a competent translator? In a competeny based approach a translator has acquired a competency or hasn’t acquired it. We hope to find a relation between acquisition of many competencies and excellency. We always distribute the framework accompanied by an introduction in which we emphasise that it should not be used for inclusion and exclusion. The introduction describes the purposes of the framework and how it should be used correctly and prudently. We can provide as many examples as possible to demonstrate how it can be applied. No it doesn’t. It is primarily a tool for teaching purposes. It emphasises the possibility and the desirability of different approaches. This might be a future outcome but we are not there yet. We believe that we can only start to do such things when universities and translators themselves acknowledge the usefulness of the framework and are making use of it. Can we identify ‘objective’ measures that indicate the level of a translator, such as the language proficiency according to the Common European Framework of Reference for Languages (CEFR) or numbers of translated books?
We don’t see the completion of the Framework as the end of the work – it is just a beginning. We have a broader ambition. We want to create a flexible, European (or wider) network of formal and informal literary translation schools offering common (Master’s degree) programmes, student and teacher exchanges, distance learning facilities and widely recognised qualifications and credits. One important aim is to facilitate the validation of non-academic and informal learning within formal education pathways. This is important because the education of literary translation in Europe occurs at a relatively small scale and is widely dispersed. If one word could describe the career of a literary translator, it would be “unpredictable”. There are not many translators who start translating when they are still in school learning a language. Some of them don’t discover their talents and interests until much later. That is when the search for an appropriate course starts. Nowadays, fortunately, there is an increasingly diverse range of options. An analytical model like the Framework cannot do justice to the individual careers of literary translators. However, it may well help to provide an overview, both for translators and programme and course providers.
Everyone knows very talented translators who don’t fit in the box, such as a very talented translator who has hardly any professional skills. This framework can also raise awareness to universities and schools: if you want to prepare people for a translation career you need to help them develop professional skills. A competency based approach is grounded in the belief that analysing different competencies helps in identifying developmental or learning issues. A competence is a constellation of: knowledge, skills and attitudes. The Framework is intended to serve as an analytical instrument. It does not aim to encompass a single, comprehensive “literary translation competency”, but to distinguish a whole range of competencies. “Competence” refers to “the proven ability to apply knowledge and skills”. In this respect, the Framework is open to changes. The Framework can always be refined by adding or skipping descriptors. Competency models have been developed for almost every domain of human practice, from teaching and nursing, through to visual arts schools. These models may be seen as the explicit and precise expression of what intuition might entail. Intuition may be seen as the result of experience. As a consequence a lot of the competencies that are acquired by learning in the early stages of the learning line (LT1 and LT2) will grow into intuitive reflexes in the later stages. No, that would be impossible. The competencies the Framework describes in its current shape amount to all possible competencies we could imagine. No translator has all those competences. They are options. Moreover, a volatile pathway is very typical for a literary translation career. However, we will try to define which competencies define the minimum qualification for a literary translator. In the PETRA-E project we will indicate examples of possible pathways through the learning line, for example there could be pathways towards specialisation in translating drama or in becoming a teacher in literary translation, or pathways starting with a language Master’s or with a linguistic competency acquired by living in a country.
Translators can be in very different levels at the same time, in 5 for one competency, in 2 for another. In our opinion all competencies are options. Which qualification is required highly depends on the context and culture. The PETRA-E partners are trying to find answers to this very important question. How will it be possible to determine which competencies someone has or at which level on the learning line someone is? Descriptors are used to define the competencies for the different levels. These descriptors encompass all of the things a literary translator should know and be able to. The more specific the descriptors, the easier it is to put them into practice. An attempt has been made to keep the number of descriptors to a minimum This has been done to keep assessments practical. We are in the process of defining ‘behavioural indicators’, i.e. observable characteristics that show that someone has acquired a certain competency.
A very important condition is that there is a certain agreement on those descriptors and indicators. For the assessment instruments are needed in the form of valid and reliable tests. It is not possible to assess all the different competencies by assessing a random translation, because the quality of a translation product does not necessarily tell us something about the competencies of a translator. Competency evaluation is person bound, not product bound. It is not the aim of the Framework and it has not been developed to be imposed on translators. However this could be a spin-off, if the framework should be widely accepted and used. Of course it will be necessary to emphasise a prudent use of the Framework as a qualification instrument. Keep in mind that currently publishers and others also implicitly qualify translators on a rather intuitive basis. In our view the Framework offers the opportunity to develop more objective tests to prove the competence of a translator. It is our hope that a competent translator will also be a ‘good’ translator in the traditional sense of the word. It has. At the Misano meeting two of the partners, Utrecht University and Deutscher Ubersetzer Fonds, demonstrated how the Framework applies to their courses and programmes and how it helped them to identify levels and ‘gaps’ in their programmes. Link to examples The question of assessment has not been fully addressed yet. There are also other issues: what is the place of important notions like ‘creativity’. Should they have a place in the model or not? What about non-compulsory competencies such as teaching, didactics, research and the ability to work with digital media? Are they necessary to be a competent translator? In a competeny based approach a translator has acquired a competency or hasn’t acquired it. We hope to find a relation between acquisition of many competencies and excellency. We always distribute the framework accompanied by an introduction in which we emphasise that it should not be used for inclusion and exclusion. The introduction describes the purposes of the framework and how it should be used correctly and prudently. We can provide as many examples as possible to demonstrate how it can be applied. No it doesn’t. It is primarily a tool for teaching purposes. It emphasises the possibility and the desirability of different approaches. This might be a future outcome but we are not there yet. We believe that we can only start to do such things when universities and translators themselves acknowledge the usefulness of the framework and are making use of it. Can we identify ‘objective’ measures that indicate the level of a translator, such as the language proficiency according to the Common European Framework of Reference for Languages (CEFR) or numbers of translated books?
